{"id":971,"date":"2015-04-01T11:50:16","date_gmt":"2015-04-01T09:50:16","guid":{"rendered":"http:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=971"},"modified":"2015-08-18T10:13:55","modified_gmt":"2015-08-18T08:13:55","slug":"i-could-see-this-project-by-ms-becoming-a-template-for-a-lot-of-places","status":"publish","type":"post","link":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=971","title":{"rendered":"I could see this project by MS becoming a template for a lot of places."},"content":{"rendered":"<p>It only really remains in a physical space for a short time but is then archived in digital space indefinitely. You don\u2019t have the expense of putting the decorated cow sculpture there and remove the cow, you just have the kids standing on the blocks snap, snap some pictures. You know. That\u2019s clean, and it costs a lot less money too I\u2019m sure. These same qualities may in fact be the hidden appeal of social practice art and its increasing acceptance by cultural institutions. In terms of public art policy in cities I could see this becoming a template for a lot of places beyond Seattle. And of course Microsoft gets to add their branding to it as well.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It only really remains in a physical space for a short time but is then archived in digital space indefinitely.<span class=\"ellipsis\">&hellip;<a href=\"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=971\"> Continue Reading &#8250;&#8250;<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":1086,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-neo","typ-int","interviewee-gregory-sholette","has-post-video"],"_links":{"self":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=971"}],"version-history":[{"count":2,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/971\/revisions"}],"predecessor-version":[{"id":1806,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/971\/revisions\/1806"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/media\/1086"}],"wp:attachment":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}