{"id":1735,"date":"2015-08-14T17:01:05","date_gmt":"2015-08-14T15:01:05","guid":{"rendered":"http:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=1735"},"modified":"2015-08-14T17:01:05","modified_gmt":"2015-08-14T15:01:05","slug":"they-came-up-with-detournements-as-a-technique-to-identify-the-spectacle","status":"publish","type":"post","link":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=1735","title":{"rendered":"They came up with d\u00e9tournements as a technique to identify the spectacle."},"content":{"rendered":"<p>They identified the spectacle, they came up with d\u00e9tournements as a technique to address that. But they also highlighted what other writers had written about in the past: the situation. Situationist International means that this idea of real anti-metaphorical space was important for people to understand and it was both geographically grounded but the situation can also be a dilemma, and can also be a place for tension and contestation for dialectical confrontation. This is a situation and this is how you can take it apart and understand it. So I think those were their key points. There was a lot of strong criticism of the SI and in particular the critics felt that they were too easily co-opted by capitalism. The more that they came up with clever ideas,the more that they were then just being incorporated in new advertisin<\/p>\n","protected":false},"excerpt":{"rendered":"<p>They identified the spectacle, they came up with d\u00e9tournements as a technique to address that. But they also highlighted what<span class=\"ellipsis\">&hellip;<a href=\"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=1735\"> Continue Reading &#8250;&#8250;<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":1737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cul","typ-int","interviewee-neala-schleuning","has-post-video"],"_links":{"self":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/1735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1735"}],"version-history":[{"count":1,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/1735\/revisions"}],"predecessor-version":[{"id":1738,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/1735\/revisions\/1738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/media\/1737"}],"wp:attachment":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1735"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1735"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}