{"id":1018,"date":"2015-04-01T13:13:19","date_gmt":"2015-04-01T11:13:19","guid":{"rendered":"http:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=1018"},"modified":"2015-08-31T11:42:06","modified_gmt":"2015-08-31T09:42:06","slug":"how-can-a-real-occupation-of-art-culture-be-reached","status":"publish","type":"post","link":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=1018","title":{"rendered":"How can a real occupation of art &#038; culture be reached?"},"content":{"rendered":"<p>In your text Let\u2019s Do It Again Comrades, Let\u2019s Occupy The Museum!, you discussed an action and intervention that happened in the Museum of Modern Art New York in 2012. In the text you analyse the intervention as follows: the first step could be to hang transparencies in the museum to demonstrate against the Status Quo, but that is not enough. In addition and parallel to that, you argue, that the real occupation of culture will not begin until a different set of values is developed, both between artists, and between artists, their audience and the institutions of the art sphere. The text ends here, therefore, I would like to ask you, how do you think one can achieve these different set of values?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In your text Let\u2019s Do It Again Comrades, Let\u2019s Occupy The Museum!, you discussed an action and intervention that happened<span class=\"ellipsis\">&hellip;<a href=\"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/?p=1018\"> Continue Reading &#8250;&#8250;<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":1149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1018","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-neo","typ-krenn","interviewee-gregory-sholette","has-post-video"],"_links":{"self":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/1018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1018"}],"version-history":[{"count":2,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/1018\/revisions"}],"predecessor-version":[{"id":1884,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/posts\/1018\/revisions\/1884"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=\/wp\/v2\/media\/1149"}],"wp:attachment":[{"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinkrenn.net\/the_political_sphere_in_art_practices\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}